海角论坛

May 8, 2018 鈥�  of the at Georgetown 海角论坛 has published a new book on contemporary working-class literature, which she presented at a reading and interview at the last week.

is a collection of modern poetry, essays, short stories, art, and film 鈥� all by creators from communities affected by deindustrialization 鈥� alongside commentary and analysis from Linkon.

NEW WORKING CLASS LIT

Linkon developed the idea for the book after conducting a study on the social costs of deindustrialization. As an English professor with a background in working-class literature, she began investigating modern literature on the subject.

鈥淚 began to feel like there had to be a whole collection of these stories,鈥� Linkon said. 鈥淭here鈥檚 a body of literature that鈥檚 emerged in the last 20 years that helps us see these places 鈥� to see how the economic changes that have been occurring since the 1970s and 鈥�80s are still shaping people鈥檚 lives.鈥�

The book focuses on the particular experience of towns and cities that had lost a significant number of industrial jobs during the second half of the 20th century. In her analysis, Linkon works from a blueprint established mostly by British social scientists who had studied deindustrialization in the United Kingdom.

鈥淚 used some of these ideas for framing, asking myself 鈥榃hat should I be looking for?鈥欌�� Linkon said. 鈥淐hanging ideas about what work means. Questions of identity, especially at the intersection of race and class. Ideas about place 鈥� there鈥檚 a whole genre of 鈥榬uin porn鈥� that glamorize and aestheticize things like abandoned factories.鈥�

Linkon hopes the book will be useful for both social scientists and literature scholars.

鈥淔or the social scientists, I wanted to show that literature has something to add to this, too 鈥� and I鈥檓 happy to say that at least a few are beginning to assign this book,鈥� she said. 鈥淔or literary scholars, I wanted to show how we need to bring working-class literature up to date. There鈥檚 only one text in my book from before 2000 鈥� there鈥檚 a whole new wave of literature out there.鈥�

INVISIBLE COMMUNITIES

Linkon began compiling material for The Half-Life of Deindustrialization in 2011, but the political rise of President Donald J. Trump made her work and the communities she studied more politically salient.

鈥淚 actually completed the first draft the day that Trump won the Republican nomination, and a lot of the revisions were happening during the election cycle and the first year of his presidency,鈥� Linkon said. 鈥淚 spent a lot of time researching what we called 鈥榯he politics of resentment,鈥� and a lot of time talking to reporters about it.鈥�

In 2016, Linkon and her husband John Russo published that sought to elevate the experiences and analyze the politics of the post-industrial working class.

In November 2016, Trump鈥檚 upset victory made the Americans left behind by deindustrialization 鈥� many of whom crossed party lines to vote for Trump in critical swing states 鈥� the new hottest subject among national reporters. Even as headlines from the formerly 鈥渋nvisible鈥� communities Linkon studies become commonplace in the nation鈥檚 largest news outlets, she believes analyzing and amplifying the literary work created in these communities is an important facet of understanding them.

鈥淚 hope it points people toward literature that they don鈥檛 know is out there,鈥� Linkon said. 鈥淚t鈥檚 not a reporter or a scholar going into a community and asking who they can interview, it鈥檚 people trying to tell the stories of people like them and their families. You get a different perspective.鈥�

PUBLIC DISCUSSION

To commemorate the release of The Half-Life of Deindustrialization, Linkon participated in a public discussion with , who has written extensively on health policy, labor policy, and deindustrialization.

Goldstein and Linkon met in 2014, when Goldstein was a visiting scholar at Georgetown鈥檚 . They began to discuss their shared interest in deindustrialization, and when Goldstein published her own book, in 2017, the two collaborated on a publicity event.

鈥淚 spent a lot of time with Amy while she was writing her book, and got to interview her when her book came out last year,鈥� Linkon said. 鈥淣ow we鈥檙e just changing roles!鈥�

Held in the Mortara Center, the event featured an interview followed by a reading from some of the literature that Linkon analyzes in The Half-Life of Deindustrialization.

鈥淕etting a chance to talk about this book with my colleagues and students was really powerful. People asked such great questions,鈥� Linkon said.

Sherry Linkon鈥檚 The Half-Life of Deindustrialization is from the University of Michigan Press.